Bazin subjectivity as a human hand intervened cast a shadow of doubt over the image is unavoidable.12/16/2023 ![]() Cinema is always “deficient”: it might lack a sychronised soundtrack, or it might be shot in black and white, or be lumbered with some other accident of historical and technical circumstance. the stuff you see and hear and feel around you at any time). In short, cinema has not yet been invented!”īazin’s notion of a “total cinema” is of one whose audio-visual content is not deficient in its reproduction of reality, one which looks and sounds like the real world, and which can be experienced in a manner similar to the way in which people experience phenomenological reality (i.e. Every new development added to the cinema must, paradoxically, take it nearer and nearer to its origins. The real primitives of the cinema, existing only in the imaginations of a few men of the nineteenth century, are in complete imitation of nature. The nostalgia that some still feel for the silent screen does not go far enough back into the childhood of the seventh art. The primacy of the image is both historically and technically accidental. ![]() ![]() It is understandable from this point of view that it would be absurd to take the silent film as a state of primal perfection which has gradually been forsaken by the realism of sound and colour. “If the origins of an art reveal something of its nature, then one may legitimately consider the silent and the sound film as stages of a technical development that little by little made a reality out of the original “myth”.
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